Little Black Book sat down with some of the industry’s most exciting rising editing talents, including Final Cut’s Lucy Berry & Dillon Stoneburner.
We are proud to support Unicef and World Central Kitchen‘s relief efforts in Ukraine and neighboring countries who are harboring refugees at their borders.
Kit Wells sat down with Little Black Book to share his thoughts on empty timelines, the rhythm of the edit and the importance of creative differences.
Final Cut London was proud to take home the coveted Gold ‘Edit House of the Year’ awards, while Amanda James was awarded Gold for ‘Editor of the Year.’
We’re excited to announce the promotion of Matt Carter from assistant editor to rostered editor. Carter’s work is precise and purposeful, connecting the viewer to the subject with youthful vibrancy.
We’re thrilled to welcome editor Adriana Legay to the roster at Final Cut.
The epic new campaign from Channel4 for the Paralympic Games Tokyo 2020 explores the sacrifices made by Paralympians to pursue their dreams of being champions. Edited by Amanda James, directed by Oscar-nominated cinematographer Bradford Young ASC with Serial Pictures X Somesuch and 4Creative.
We are pleased to announce the promotion of Sophie Solomon from Assistant Editor to Editor. Solomon has been with Final Cut for six years, getting her start in their New York office in 2015 as Vault Manager.
Today, Ad Age unveiled its highly-anticipated Creativity Award and we are incredibly honored to receive the Editorial Company of the Year title for the second year in a row, an honor made even more meaningful by the unique challenges of the past year that we all faced.
Editor Ryan Beck talks to shots about his recent project with Vans, a VF Company and how to cut a music video with a crew of 500!