Final Cut

Final Cut is a creative editorial company with offices in London, New York and Los Angeles. We collaborate with top directors and agencies on the most prominent commercials, feature films and music videos.

Huge congratulations to Amanda James, Joe Guest and Dan Sherwen – all three were awarded Pencils for Editing at this year’s D&AD festival.

And a very happy Friday it is! It was an eventful night at shots Awards The Americas where our very own Jeff Buchanan took home Editor of the Year! Additionally, his work for Extra “For When It’s Time” won Gold in Editing: Above Two Minutes and Final Cut received Silver in Editing House of the Year. “For…

The Sex Education Season 3 editing team has been awarded for Best Edited Comedy Series at the British Film Editors Cut Above Awards.

Rick Russell and Traktor look back over twenty-five years of collaboration for Shots’ latest Creative Correspondence feature

We are excited to announce the addition of a group of five senior editors as partners in Final Cut’s US business, Jeff Buchanan, Ashley Kreamer, JD Smyth, Crispin Struthers, and Jim Helton. As an integral part of the management team, they will work closely with executive producers Sarah Roebuck and Suzy Ramirez, and managing director…

Creative Review sat down with Joe Guest to discuss the changing nature of the editor’s job and run through some of his favourite career moments – including cutting a much-loved Nike spot on a bin outside a Peckham chicken shop.

From a longlist announcement back in December, through a whittled-down shortlist some weeks before the big night, The Long Goodbye has come out the other side of a memorable Academy Awards with a well-deserved Oscar for Best Live Action Short. Director Aneil Karia & lead Riz Ahmed, co-creators of the film, were there on the night…

Little Black Book sat down with some of the industry’s most exciting rising editing talents, including Final Cut’s Lucy Berry & Dillon Stoneburner.

We are proud to support Unicef and World Central Kitchen‘s relief efforts in Ukraine and neighboring countries who are harboring refugees at their borders.

Kit Wells sat down with Little Black Book to share his thoughts on empty timelines, the rhythm of the edit and the importance of creative differences.

Load More