The Final Cut editor on the benefits of healthy collaborations, short form edit trends and his Venice Film Festival debut as part of LBB’s Finely Sliced series Read the full article on the Little Black Book website by clicking HERE.
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Final Cut is a creative editorial company with offices in London, New York and Los Angeles. We collaborate with top directors and agencies on the most prominent commercials, feature films and music videos.
The Edit Girls spoke with our own Amanda James to talk all things Big Man, her short film collaboration with Aneil Karia and Stormzy. From long, roaming takes to overlapping dialogue and the raw, emotional beats that bring this powerful story to life, Amanda gives us a beautiful window into her process. Read more on…
Myths, Marionettes and Michael Jordan Share a Stage for Nike! Take a glimpse into the thoughtful artistry and process that fueled “Shattered Backboard.” 🏀✔️ Read the full piece via Little Black Book
Adriana Legay joins other top editors in this LBB feature on the realities of cutting international campaigns remotely. From time zones to creative flow, she shares how it all comes together from afar. Read the full piece via Little Black Book
“Notes are often opportunities for creative solutions and the real skill is transforming a note into something more.” Jim Helton talks about the importance of relationships and reading menus. Read the full article on Little Black Book
Matthew Gabzdyl recently sat down with Little Black Book to discuss his career in editing, inspirations and work that continues to inspire him as part of the LBB ‘Finely Sliced’ series. Read the full article on Little Black Book
Leading creative editorial company Final Cut, renowned for its work in film, television, and advertising, announces a restructure of its management team. Read the full press release on LBB
As an integral part of Final Cut, Solomon has been with the post-production house since 2015 and on its roster of talent since 2021. Working out of Final Cut’s East Coast office, Solomon will work closely with Final Cut’s leadership team including Executive Producers Michelle Corney in the UK, Suzy Ramirez in Los Angeles, and…
The LA-based Final Cut editor on the significance of his Star Wars-themed tattoo (above), the “insane” demands of record labels, and telling a sweet Christmas story with Bryce Dallas Howard. As we head towards the end of 2024, Antonio Gómez-Pan can reflect upon another successful, award-winning year. Notching up commercials for the likes of The North…
Christmas is the Super Bowl of UK ads. So, today, three of Final Cut’s editors give LBB’s Zoe Antonov a behind the scenes peek on their editing process when it comes to holiday specials, having worked on some of the most memorable Crimbo films from the past few years Read the full article on LBB…