Leah Burton, editor at Final Cut, is no stranger to enthusiastic collaboration – or enthusiasm and collaboration. She’s amassed an impressive collection of work for clients such as British Airways, Dr. Martens, Concern Worldwide, Formula 1, and On Running. Last year, she even cut a number of social films for John Lewis’ Christmas campaign, working…
Final Cut


Final Cut’s managing director on working with ‘Sex Education’ director Ben Taylor, getting into the ‘70s mood through music wormholes and why brilliant leading performances led the storytelling on ‘Joy’, writes LBB’s Zoe Antonov Born in 1978, Louise Joy Brown marked one of the world’s most ground-breaking technological advancements – she became the first ever…

Final Cut is excited to welcome editor Ale Dordoni to its UK team. Dordoni joins the award-winning edit house’s London roster with an impressive portfolio of commercial and narrative work and an infectious enthusiasm for the craft. Hailing from the small town of Piacenza in Northern Italy, Dordoni realised a burgeoning interest in the art…

Phil Hignett shared his expertise on the art of making people laugh with LBB

Ashley Kreamer is featured in Edit Girls’ “Career Stories,” where she shares advice for others wanting to get into editing.

We’re excited to kick off 2024 with the promotion of award-winning editor Leah Burton to our roster of talent.

Final Cut New Blood talent Alyce Muhammad and Megan Marie Connolly join a selected group of editors in the field to share insights in “Inside the Craft of Editing for Social Media” for Little Black Book

We’re excited to announce that Nicolas Larrouquère has joined our roster of editors!

Writing for Little Black Book, Darren Baldwin looks back on the editing lessons he’s learned from a life-long love affair with horror.

Final Cut London’s Leah Burton, a rising talent on our New Blood roster, has been named Best New Editor at the 2023 Kinsale Sharks Awards!