UK
Final Cut is a creative editorial company with offices in London, New York and Los Angeles. We collaborate with top directors and agencies on the most prominent commercials, feature films and music videos.
Squarespace
Singularity
Editor – Dan Sherwen
Director – Aoife McArdle
Production Company – Smuggler
Production Company – Smuggler
Our Work
McDonald’s
Raise Your Arches
Editor – David Webb
Director – Edgar Wright
Production Company – Moxie Pictures
Agency – Leo Burnett London
Production Company – Moxie Pictures
Agency – Leo Burnett London
Salesforce
The March
Editor – Crispin Struthers
Director – Dante Ariola
Production Company – MJZ
Production Company – MJZ
M&S Food
Duckie
Editor – Ed Cheesman
Director – Dom & Nic
Production Company – Outsider
Production Company – Outsider
Creative editorial in advertising, film and TV.
Hennessy
Unshattered
Editor – Jim Helton
Director – Derek Cianfrance
Agency – Droga 5
Production Company – Radical Media
Agency – Droga 5
Production Company – Radical Media
Levi’s
Buy Better, Wear Longer
Editor – Joe Guest
Director – Megaforce
Production company – Iconoclast
Agency – AKQA
Production company – Iconoclast
Agency – AKQA
Lego
Build a Playful Holiday
Editor – Amanda James
Editor – Amanda james
Director – Traktor
Production company – Stink
Agency – The Lego Agency
Director – Traktor
Production company – Stink
Agency – The Lego Agency
John Lewis
For All Life’s Moments
Editor – Rick Russell
Director – Juan Cabral
Agency – adam&eveDDB
Production Company – MJZ
Agency – adam&eveDDB
Production Company – MJZ
Nas
Ugly
Editor – Matt Carter
Director – Hidji
Production/Agency – AWGE
Production/Agency – AWGE
Residente
This is Not America
Editor – Arianna Tomasettig
Director – Greg Ohrel
Production Company – Doomsday Entertainment
Production Company – Doomsday Entertainment
White Claw
Storm
Editor – James Rosen
Director – Sam Brown
Production Company – Rogue
Agency – VCCP
Production Company – Rogue
Agency – VCCP
News
Betty Jo Moore is featured in Little Black Book’s “Finely Sliced,” where she shares how she develops her craft, her love for cutting music videos, and the value of establishing a common language when understanding a story.
Rebecca Mitchell joins Final Cut as new head of production at our office in Los Angeles. Rebecca will bring more than a decade’s experience as a senior producer and post supervisor to her new role at Final Cut, having worked in a wide variety of content and formats with clients as diverse as Apple, Salesforce, the NFL, eBay, Fitbit, and Stitch Fix.
Our
Partners
We facilitate the post production creative that transforms raw footage into a polished story.
Significant Others explores the liminal space between the creative and the technical. Our capabilities begin at the beginning, all the way from ideas and creative development, through production, post, and finishing.
We are (your) Significant Others.
Machine is a team of sound designers, composers & producers. We love to create narrative, mood, and emotion through inventive audio composition. From intricate sound design to orchestral scores, we go all out to find the best creative solution for your project.
The Lofts is a dry-hire edit facility for long form projects, based in London. Our light and airy cutting rooms are equipped with the latest Avid software and ergonomic workstations. With comfortable and practical break-out spaces and a dedicated client-service team, we provide you with everything you need to unleash your creativity.
Color Collective is a high end color grading facility located in the heart of NYC and provides color grading services for commercials, music videos and feature films. Founded by Alex Bickel in 2012, Color Collective has an extensive roster of clients, including Oscar-nominated films Moonlight, Ladybird, and If Beale Street Could Talk along with Google, Amazon, Mercedes and many more.
Let's connect
sales
East
Midwest
West
