UK
Final Cut is a creative editorial company with offices in London, New York and Los Angeles. We collaborate with top directors and agencies on the most prominent commercials, feature films and music videos.
McDonald’s
Raise Your Arches
Editor – David Webb
Director – Edgar Wright
Production Company – Moxie Pictures
Agency – Leo Burnett London
Production Company – Moxie Pictures
Agency – Leo Burnett London
Our Work
Salesforce
The March
Editor – Crispin Struthers
Director – Dante Ariola
Production Company – MJZ
Production Company – MJZ
M&S Food
Duckie
Editor – Ed Cheesman
Director – Dom & Nic
Production Company – Outsider
Production Company – Outsider
Shelter
Brave Face
Editor – Joe Guest
Director – Si&Ad
Production Company – Academy
Agency – Don't Panic
Production Company – Academy
Agency – Don't Panic
Creative editorial in advertising, film and TV.
Etsy
To The Travelers
Editor – Sophie Solomon
Director – Yael Staav
Production Company – Furlined
Agency – 72andSunny NY
Production Company – Furlined
Agency – 72andSunny NY
Levi’s
Buy Better, Wear Longer
Editor – Joe Guest
Director – Megaforce
Production company – Iconoclast
Agency – AKQA
Production company – Iconoclast
Agency – AKQA
Lego
Build a Playful Holiday
Editor – Amanda James
Director – Traktor
Production company – Stink
Agency – The Lego Agency
Production company – Stink
Agency – The Lego Agency
John Lewis
For All Life’s Moments
Editor – Rick Russell
Director – Juan Cabral
Agency – adam&eveDDB
Production Company – MJZ
Agency – adam&eveDDB
Production Company – MJZ
Nas
Ugly
Editor – Matt Carter
Director – Hidji
Production/Agency – AWGE
Production/Agency – AWGE
Residente
This is Not America
Editor – Arianna Tomasettig
Director – Greg Ohrel
Production Company – Doomsday Entertainment
Production Company – Doomsday Entertainment
White Claw
Storm
Editor – James Rosen
Director – Sam Brown
Production Company – Rogue
Agency – VCCP
Production Company – Rogue
Agency – VCCP
News
We’re excited to announce the addition of Jasmine ‘Mac’ McCullough as editor at our Los Angeles location, as well as the promotion of Lucas Moesch to editor at the company’s New York office.
David Webb explains how edit and sound design helped bring ITV’s Litvinenko to life.
Our
Partners
We facilitate the post production creative that transforms raw footage into a polished story.
Significant Others explores the liminal space between the creative and the technical. Our capabilities begin at the beginning, all the way from ideas and creative development, through production, post, and finishing.
We are (your) Significant Others.
Machine is a team of sound designers, composers & producers. We love to create narrative, mood, and emotion through inventive audio composition. From intricate sound design to orchestral scores, we go all out to find the best creative solution for your project.
The Lofts is a dry-hire edit facility for long form projects, based in London. Our light and airy cutting rooms are equipped with the latest Avid software and ergonomic workstations. With comfortable and practical break-out spaces and a dedicated client-service team, we provide you with everything you need to unleash your creativity.
Color Collective is a high end color grading facility located in the heart of NYC and provides color grading services for commercials, music videos and feature films. Founded by Alex Bickel in 2012, Color Collective has an extensive roster of clients, including Oscar-nominated films Moonlight, Ladybird, and If Beale Street Could Talk along with Google, Amazon, Mercedes and many more.
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