US
Final Cut is a creative editorial company with offices in London, New York and Los Angeles. We collaborate with top directors and agencies on the most prominent commercials, feature films and music videos.
British Heart Foundation
The Greatest Treasure
Editor – Amanda James
Director – Vincent Haycock
Production – Somesuch
Agency – Saatchi & Saatchi
Production – Somesuch
Agency – Saatchi & Saatchi
Our Work
Dove
Cost of Beauty
Editor – Jim Helton
Editor – Ashley Kreamer
Director – Henry-Alex Rubin
Agency – Ogilvy
Production Company – Smuggler
Director – Henry-Alex Rubin
Agency – Ogilvy
Production Company – Smuggler
Audible
Journey into the Imagination
Editor – Joe Guest
Director – Fridman Sisters
Production Company – Stink Films
Agency – 72andSunny NY
Production Company – Stink Films
Agency – 72andSunny NY
Propel
The World is Your Gym
Editor – Sam Bould
Director – The Sacred Egg
Production Company – Riff Raff Films
Agency – Goodby Silverstein & Partners
Production Company – Riff Raff Films
Agency – Goodby Silverstein & Partners
Creative editorial in advertising, film and TV.
Apple
Quiet the Noise
Editor – Joe Guest
McDonald’s
McNuggets
Editor – Amanda James
Director – Sam Brown
Production – Rogue Films
Agency – Leo Burnett
Production – Rogue Films
Agency – Leo Burnett
Samsung
Underwater Love
Editor – Sam Bould
Director – Henry Scholfield
Production Company – Represent Film
Agency – Leo Burnett Germany
Production Company – Represent Film
Agency – Leo Burnett Germany
Apple
Share the Joy
Editor – Joe Guest
McDonald’s
Raise Your Arches
Editor – David Webb
Director – Edgar Wright
Production Company – Moxie Pictures
Agency – Leo Burnett London
Production Company – Moxie Pictures
Agency – Leo Burnett London
Squarespace
Singularity
Editor – Dan Sherwen
Director – Aoife McArdle
Production Company – Smuggler
Production Company – Smuggler
Residente
This is Not America
Editor – Arianna Tomasettig
Director – Greg Ohrel
Production Company – Doomsday Entertainment
Production Company – Doomsday Entertainment
News
Speaking to Little Black Book, Ed, Alex & Sam discuss what makes the enduring director-editor relationship work.
Final Cut London’s Leah Burton spoke to David Knight at Promonews for the latest instalment in their “Story So Far” series, showcasing rising talent across disciplines in the world of music videos.
Our
Partners
We facilitate the post production creative that transforms raw footage into a polished story.
Significant Others explores the liminal space between the creative and the technical. Our capabilities begin at the beginning, all the way from ideas and creative development, through production, post, and finishing.
We are (your) Significant Others.
Machine is a team of sound designers, composers & producers. We love to create narrative, mood, and emotion through inventive audio composition. From intricate sound design to orchestral scores, we go all out to find the best creative solution for your project.
The Lofts is a dry-hire edit facility for long form projects, based in London. Our light and airy cutting rooms are equipped with the latest Avid software and ergonomic workstations. With comfortable and practical break-out spaces and a dedicated client-service team, we provide you with everything you need to unleash your creativity.
Color Collective is a high end color grading facility located in the heart of NYC and provides color grading services for commercials, music videos and feature films. Founded by Alex Bickel in 2012, Color Collective has an extensive roster of clients, including Oscar-nominated films Moonlight, Ladybird, and If Beale Street Could Talk along with Google, Amazon, Mercedes and many more.
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