US
Final Cut is a creative editorial company with offices in London, New York and Los Angeles. We collaborate with top directors and agencies on the most prominent commercials, feature films and music videos.
Burberry
Open Spaces
Editor – Joe Guest
Director – Megaforce
Production Company – Riff Raff
Production Company – Riff Raff
Our Work
Montefiore | Einstein
Caring Makes Magic: A Holiday Tale
Editor – Jim Helton
Director – Derek Cianfrance
Agency – AL+O
Production Company – Radical Media
Agency – AL+O
Production Company – Radical Media
Lego
Holiday
Editor – Ryan Beck
Director – TRAKTOR
Production Company – Stink
Sound – Machine
Sound Design & Mix – Alex Bingham & Ben Gulvin
Production Company – Stink
Sound – Machine
Sound Design & Mix – Alex Bingham & Ben Gulvin
Netflix
Sex Education Season 3
Editors – David Webb & Steve Ackroyd
Creator – Laurie Nunn
Directors – Ben Taylor & Runyararo Mapfumo
Production Company – Eleven
Creator – Laurie Nunn
Directors – Ben Taylor & Runyararo Mapfumo
Production Company – Eleven
Creative editorial in advertising, film and TV.
The New York Times
The Truth Takes a Journalist
Editor – Dan Sherwen
Director – Camille Summers-Valli
Agency – Droga5
Production Company – Somesuch
Agency – Droga5
Production Company – Somesuch
Channel 4 Paralympics
Super. Human.
Editor – Amanda James
Director – Bradford Young
Agency – 4creative
Production company – Somesuch
Agency – 4creative
Production company – Somesuch
To Kill a Mockingbird
Welcome Back
Editor – JD Smyth
Director – Miky Wolf
Executive Producer/Creative Director – Bart Sher
Agency – In-house
Executive Producer/Creative Director – Bart Sher
Agency – In-house
Extra
For When It’s Time
Editor – Jeff Buchanan
Director – Nick Ball
Production Company – MJZ
Production Company – MJZ
Vans X JPEGMAFIA
Prone
Editor – Ryan Beck
Director – Felix Brady
Production Company – Stink Films
Production Company – Stink Films
News
Final Cut London was proud to take home the coveted Gold ‘Edit House of the Year’ awards, while Amanda James was awarded Gold for ‘Editor of the Year.’
We’re excited to announce the promotion of Matt Carter from assistant editor to rostered editor. Carter’s work is precise and purposeful, connecting the viewer to the subject with youthful vibrancy.
Our
Partners
We facilitate the post production creative that transforms raw footage into a polished story.
Significant Others explores the liminal space between the creative and the technical. Our capabilities begin at the beginning, all the way from ideas and creative development, through production, post, and finishing.
We are (your) Significant Others.
Machine is a team of sound designers, composers & producers. We love to create narrative, mood, and emotion through inventive audio composition. From intricate sound design to orchestral scores, we go all out to find the best creative solution for your project.
The Lofts is a dry-hire edit facility for long form projects, based in London. Our light and airy cutting rooms are equipped with the latest Avid software and ergonomic workstations. With comfortable and practical break-out spaces and a dedicated client-service team, we provide you with everything you need to unleash your creativity.
Color Collective is a high end color grading facility located in the heart of NYC and provides color grading services for commercials, music videos and feature films. Founded by Alex Bickel in 2012, Color Collective has an extensive roster of clients, including Oscar-nominated films Moonlight, Ladybird, and If Beale Street Could Talk along with Google, Amazon, Mercedes and many more.
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