US
Final Cut is a creative editorial company with offices in London, New York and Los Angeles. We collaborate with top directors and agencies on the most prominent commercials, feature films and music videos.
White Claw
Storm
Editor – James Rosen
Director – Sam Brown
Production Company – Rogue
Agency – VCCP
Production Company – Rogue
Agency – VCCP
Our Work
Nas
Ugly
Editor – Matt Carter
Director – Hidji
Production/Agency – AWGE
Production/Agency – AWGE
TENA
#LastLonelyMenopause
Editor – Amanda James
Director – Shannon Murphy
Agency – Abbott Mead Vickers. BBDO Ltd
Production Company – Lief London Ltd
Director – Shannon Murphy
Agency – Abbott Mead Vickers. BBDO Ltd
Production Company – Lief London Ltd
Direct Line
Optimus Prime
Editor – Sam Bould
Director – Finn Keenan
Agency – Saatchi & Saatchi
Production Company – Riff Raff
Agency – Saatchi & Saatchi
Production Company – Riff Raff
Creative editorial in advertising, film and TV.
Meta
A (Slightly) Life-Changing Story
Editor – Joe Guest
Director – Floria Sigismondi
Agency – Droga5
Production Company – Believe Media
Agency – Droga5
Production Company – Believe Media
Residente
This is Not America
Editor – Arianna Tomasettig
Director – Greg Ohrel
Production Company – Doomsday Entertainment
Production Company – Doomsday Entertainment
Burberry
Open Spaces
Editor – Joe Guest
Director – Megaforce
Production Company – Riff Raff
Production Company – Riff Raff
Tropicana
Just Another Day
Editor – Jeff Buchanan
Director – Nick Ball
Agency – Cramer-Krasselt
Production Company – MJZ
Agency – Cramer-Krasselt
Production Company – MJZ
Netflix
Sex Education Season 3
Editors – David Webb & Steve Ackroyd
Creator – Laurie Nunn
Directors – Ben Taylor & Runyararo Mapfumo
Production Company – Eleven
Creator – Laurie Nunn
Directors – Ben Taylor & Runyararo Mapfumo
Production Company – Eleven
The New York Times
The Truth Takes a Journalist
Editor – Dan Sherwen
Director – Camille Summers-Valli
Agency – Droga5
Production Company – Somesuch
Agency – Droga5
Production Company – Somesuch
Channel 4 Paralympics
Super. Human.
Editor – Amanda James
Director – Bradford Young
Agency – 4creative
Production company – Somesuch
Agency – 4creative
Production company – Somesuch
News
Amanda James took home Gold for Best Editing and Dan Sherwen was awarded Bronze, while work cut at Final Cut was widely awarded across the categories.
Last week’s annual AICP Show saw work edited at Final Cut celebrated across multiple categories, with editors taking home awards for their work at both the main show and the AICP Post Awards.
Our
Partners
We facilitate the post production creative that transforms raw footage into a polished story.
Significant Others explores the liminal space between the creative and the technical. Our capabilities begin at the beginning, all the way from ideas and creative development, through production, post, and finishing.
We are (your) Significant Others.
Machine is a team of sound designers, composers & producers. We love to create narrative, mood, and emotion through inventive audio composition. From intricate sound design to orchestral scores, we go all out to find the best creative solution for your project.
The Lofts is a dry-hire edit facility for long form projects, based in London. Our light and airy cutting rooms are equipped with the latest Avid software and ergonomic workstations. With comfortable and practical break-out spaces and a dedicated client-service team, we provide you with everything you need to unleash your creativity.
Color Collective is a high end color grading facility located in the heart of NYC and provides color grading services for commercials, music videos and feature films. Founded by Alex Bickel in 2012, Color Collective has an extensive roster of clients, including Oscar-nominated films Moonlight, Ladybird, and If Beale Street Could Talk along with Google, Amazon, Mercedes and many more.
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