US
Final Cut is a creative editorial company with offices in London, New York and Los Angeles. We collaborate with top directors and agencies on the most prominent commercials, feature films and music videos.
John Lewis
Snapper: The Perfect Tree
Editor – Joe Guest
Director – Megaforce
Production Company – Riff Raff Films
Agency – Saatchi & Saatchi London
Production Company – Riff Raff Films
Agency – Saatchi & Saatchi London
Our Work
Apple
Another Birthday
Editor – Jeff Buchanan
Coca-Cola
The World Needs More Santas
Editor – Rick Russell
Director – Traktor
Production Company – Stink
Agency – WPP Open X
Production Company – Stink
Agency – WPP Open X
M&S
Christmas Mittens
Editor – Ed Cheesman
Director – Dom & Nic
Production Company – Outsider
Production Company – Outsider
Creative editorial in advertising, film and TV.
Argos
Dancer
Editor – Ryan Beck
Director – Traktor
Production Company – Stink
Agency – The&Partnership
Production Company – Stink
Agency – The&Partnership
Just Eat
Did Somebody Say HipOpera?
Editors – Darren Baldwin & Amanda James
Director – Dave Meyers
Production Company – Radical Media
Agency – McCann Craft
Director – Dave Meyers
Production Company – Radical Media
Agency – McCann Craft
Apple TV+
Tunnel
Editor – Antonio Gómez-Pan
Kahlúa
Stir Up
Editor – Sam Bould
Director – Rodrigo Valdes
Production – Birth
Agency – Widen+Kennedy
Production – Birth
Agency – Widen+Kennedy
Dove
Cost of Beauty
Editor – Jim Helton & Ashley Kreamer
Director – Henry-Alex Rubin
Agency – Ogilvy
Production Company – Smuggler
Agency – Ogilvy
Production Company – Smuggler
Apple
Quiet the Noise
Editor – Joe Guest
Jung Kook
Seven
Editor – Antonio Gómez-Pan
Director – Bradley and Pablo
Production Company – Prettybird
Production Company – Prettybird
News
Writing for Little Black Book, Darren Baldwin looks back on the editing lessons he’s learned from a life-long love affair with horror.
We’re delighted to welcome award-winning editor Phil Hignett to our roster! A highly skilled and sought-after comedic editor in the worlds of advertising, television and feature film, Phil has previously worked closely with the London team while cutting hit comedy Sex Education at our Fitzrovia dry-hire facility, The Lofts.
Our
Partners
We facilitate the post production creative that transforms raw footage into a polished story.
Significant Others explores the liminal space between the creative and the technical. Our capabilities begin at the beginning, all the way from ideas and creative development, through production, post, and finishing.
We are (your) Significant Others.
Machine is a team of sound designers, composers & producers. We love to create narrative, mood, and emotion through inventive audio composition. From intricate sound design to orchestral scores, we go all out to find the best creative solution for your project.
The Lofts is a dry-hire edit facility for long form projects, based in London. Our light and airy cutting rooms are equipped with the latest Avid software and ergonomic workstations. With comfortable and practical break-out spaces and a dedicated client-service team, we provide you with everything you need to unleash your creativity.
Color Collective is a high end color grading facility located in the heart of NYC and provides color grading services for commercials, music videos and feature films. Founded by Alex Bickel in 2012, Color Collective has an extensive roster of clients, including Oscar-nominated films Moonlight, Ladybird, and If Beale Street Could Talk along with Google, Amazon, Mercedes and many more.
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